Friday, November 30, 2012
Uzala/Mala Suerte – Split 7”
Mala Suerte and Uzala—both practitioners of heavily mired, psychedelic doom—have joined forces to release a split 7” that highlights some of the best that both bands have to offer. Mala Suerte’s Illumninati inspired, New World Order thwarting “The Veil of Secrecy” is a heavy, hook-laden response to corruption, inequality, and clandestine abuses of power. While “The Veil of Secrecy” was recorded in 2010, not long after the release of the band’s sole full-length album, ‘The Shadow Tradition’, it is a track that really fits in well with the band’s previously released material while at the same time showing compositional growth. “Burned”, Uzala’s contribution, embraces a cleaner sound than what is found on both their self-titled album and the ‘Cataract/Death Masque’ single which ultimately places even more of a focus on Darcy Nutt’s ethereal vocals.
“The Veil of Secrecy” has two things going for it that really elevates the track above anything that Mala Suerte has put out before it—the opening lead guitar and Gary Rosas’ vocals. The entire song is a mid-paced plod, but the opening lead guitar instantly draws the listener in with its emotive, killer tone. Immediately noticeable with Mala Suerte’s latest is that Gary Rosas’ vocals have been dialed-back a bit which really works well on this tune. “The Veil of Secrecy” sacrifices the abrasive, up-front vocal delivery found on ‘The Shadow Tradition’ in favor of a more restrained, chant-like cadence that complements the conspiratorial lyrics. Mala Suerte’s contribution is a welcome addition to the band’s catalogue and thankfully “The Veil of Secrecy” has finally been revealed.
The relatively cleaner production of Uzala’s “Burned” really stands out and brings Darcy Nutt’s seraphic vocals to the forefront. While the production is a bit clearer, this isn’t a night and day difference. The bands still dwells in the depths of a psychedelic slurry, though the waters are a bit less murky. “Burned” still displays all of the musical elements that make Uzala so great. The interplay between the riffs and lead guitar courtesy of Chad Remains and Darcy are ever-present as is the dark, uncompromising atmosphere that seems to permeate all of the band’s recordings. For those needing a fix while they are waiting for the band to finish their next album, “Burned” just may temporarily hold them over.
Both of the doomed-out tracks on the split are strong compositions that complement each other well and should momentarily appease fans that are looking forward to new material from either band. While Mala Suerte and Uzala approach their disciplines from different angles, each band is unified by their dedication to dark, atmospheric doom. Here’s looking forward to new material from each band in the upcoming year. Pick up the 7” from King of the Monsters Records.
Words: Steve Miller
(Originally published at Doommantia)
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